Another source of inspiration for Graves came from Edward Williams (1747- 1826) aka Iolo Morganwg. In 1792, Iolo Morganwg, (stonemason, freemason and fake Druid), claimed direct unbroken lineage to knowledge of the rites and customs of the ancient Druids. Iolo by the way, was also an opium addict and a forger and the full nature and extent of his invention and deceit is simply incredible. He declared that his Glamorganshire Bards had an unbroken line of Bardic-Druidic tradition going back to the Ancient Druids. His local Masonic Lodge accepted without challenge all of Iolo's claims, but these days they 'neither confirm nor deny' online if Iolo was initiated or ever held membership. Iolo's fraudulent works excited and inspired Robert Graves. Iolo is still presented as being a ‘Druid’ despite the fact that the scholar G. J. Williams has systematically demonstrated the extent of Iolo’s forgeries and fabrications in the 1950's. In Nora Chadwick's book THE DRUIDS published by the University of Wales Press in 1966, the scholar tells us on pg 3: “there is no good historical evidence for the survival of the druids into the historical period in Wales.” By inference she is referencing Iolo's 'bad works of forgery'.
This was where Graves completely lost the ‘run of himself’ with fantasy. Graves saw 13 months in a calendar year, totally ignoring the fact that most years have only 12 full moon cycles and a 13 full moon year (between successive December solstices) happens only every two and a half years. He also counted 13 star constellations as the belt of the Zodiac. This probably included the 12 well known zodiac constellations plus Ophiuchus, the lost sign of “serpent-bearer” that sits above (and was once connected to) Scorpio.
Robert Graves' grandfather Charles Graves (1812-1899) had been President of the Royal Irish Academy and was himself a leading authority on Ogham. The Royal Irish Academy (RIA) was founded in 1785 with a Royal Charter granted in 1786 by King George III who ruled over the British Kingdom, which at that time included Ireland. The RIA today politely facilitates the imperial literary tradition while presenting itself as Ireland’s premier learned body. It still exists as a library, museum, and research facility and it claims to champion Irish academic research, which of course means ‘research in the imperial literary tradition’ to the exclusion of all else.
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